Blue offers a "compute" to assist where the border between discard and keep will occur. Green means you want to keep that element of your image. Its "TriMap" technology deploys colour coding for its visual digital scissors. Topaz ReMask offers an interface and workflow to help trace and extrude an image from its background.
#Topaz remask 5 motorcycle software
In the past, the underlying software technology for enabling masking required separate layers, available mainly as a plug-in for products like Photoshop. At these times, consider a masking solution. Sometimes the best photo of a loved one may have him or her, as part of a group photo or an inconvenient background. It's still worth understanding how masking works if you are asked, for example, to provide a revised photo version of a deceased person for a funeral ceremony. Masking may be responsible for upgrading a dull-looking sky to strengthen a landscape image. While they accept some post-processing to sharpen or improve the tonal range is tolerated, they draw the line at the changes that can result from masking to make a new image. It creates an artificial impression that undermines the goal of the camera recording what it sees faithfully. It's also useful for refining high dynamic range images, offering much greater control to produce the finished effect. Masking also comes in handy when you want to emphasise or downplay certain features of an image beyond the ability of dodging and burning tools or so-called healing brushes available in raw editors. The aim is to ensure that any distracting or inappropriate backgrounds can be replaced with a more suitable one as part of a composite. Commonly used in advertising and marketing materials, masking allows you to place an optimised model against another optimised background. Why Masking? Digital masks enable you to create composites by merging a certain aspect of one photo with the background of another.
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